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Large Fibula Talisman or Tokcha
Tibet
circa 12th century

height: 10.5cm, width: 10cm, weight: 98g

This well-worn tokcha comprises a cloak fastener or fibula decorated with pierced borders of flattened spheres, scrollwork and a central garuda-like motif.  A
central hole and pin is where the fastener would have been pinned through textiles to attach an upper to a lower layer. It is likely to date to around the 12th
century.

Tokchas (also spelt as thokcha, tokche, thogchak, thog-lcag, or thogchag) are small 'found' ancient, sacred objects that went on to serve as votive talismans,
and which were valued for their magical properties.  Usually they are of bronze or copper alloy.  Many are believed to also contain some meteoric metal.
Tibetans highly prized them and would wear them to protect them and to absorb evil. Usually they were hung from the neck or attached to clothing, but also
were  sewn onto amulet pouches or attached to religious articles. They were also used by Tibetan sharmans - healers, spirit-mediums and magicians - as part
of their 'tools' of trade.

Particularly effective or powerful
tokchas would be sold on or  passed down through the generations. Accordingly, genuine and powerful tokchas should show
a great deal of wear, as in the case of the example here.

It is likely that many
tokchas originally were belt fittings or ornaments either from Tibet or from the Eurasian Steppes and Central Asia or Persia, and were
traded into Tibet along Silk Road trading routes. Others were purpose-made as talismans, which explains why some genuine
tokchas can be very similar. The
traditional belief however, was that
tokchas were not made by humans and even that they had simply fallen from the sky. The animal motifs employed in many
tokchas suggest a linkage to Tibet's pre-Buddhist Bon past. (Buddhism was introduced to Tibet in the early 7th century.)

Four
tokchas comprised lot 3056, in Bonham's New York sale, 'Indian, Himalayan & Southeast Asia Art', March 13, 2017. See those here. And see another
example
here.

A similar example is illustrated in Borel (1994, p. 168).

The example here is in a stable and wearable condition. As mentioned, it has an exceptional patina and obvious antiquity. It was acquired from the estate of a
private English collector who built up a fine collection of
tokchas over his lifetime.

References:
Bashkanov, M., M. Bashkanov, P. Petrov, & N. Serikoff,
Arts from the Land of Timur: An Exhibition from a Scottish Private Collection, Sogdiana Books, 2012.
Heller, A.,
Early Himalayan Art, Ashmolean Museum, 2008.
Borel, F.,
The Splendour of Ethnic Jewelry: From the Colette and Jean-Pierre Ghysels Collection, Thames & Hudson, 1994.
Reynolds, V.
et al, From the Sacred Realm: Treasures of Tibetan Art from the Newark Museum, Prestel, 1999.

Provenance: private collection, UK.

Inventory no.: 4074 SOLD

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