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Superb Necklace of Gold Beads
Pyu (present-day Burma)
length: 25cm (50cm circumference), weight: 74.2g
This necklace of very fine gold beads is from Pyu, in present-day Upper Burma. It comprises a series of slightly graduated high-grade gold beads of assorted
designs, including hollow polyhedral, reeded, pierced and beaded, spherical and scrolled examples, with a modern silver-gilt S-shaped clasp.
Pyu beads show an extraordinarily high level of gold smithing technique. The gold used was typically alluvial. The beads themselves show a range of
sophisticated and intricate designs in filigree, granulation work and casting. Shapes include those based on melons, gourds, cowrie shells, and the like. Some
beads, including on this necklace, ingeniously appear to have cagework within a surrounding cage, not unlike a Chinese carved ivory puzzle ball.
Pyu was a group of city-states that existed from around 200BC to 1100AD in the area that is now present-day Upper Burma (Myanmar). The cities were trade
focused and Chinese records from the 9th century evoke a sophisticated culture with sumptuous courts and richly adorned Buddhist monasteries (Richter,
2000, p. 43).
The city-states - there were five major walled cities in total plus some smaller towns - were located along an overland trade route between China and India. In
these, the Pyu pioneered urban development in Southeast Asia and were masters in brickmaking, ironworking and water management (Guy, 2014, p. 68).
Pyu culture was heavily influenced by trade with India. Buddhism was imported along with other cultural and political ideas. Pyu civilisation largely ended in the
9th century when the city-states were destroyed by repeated invasions from the Kingdom of Nanzhao. Pyu settlements remained in Upper Burma for the next
three centuries but gradually these were absorbed into the expanding Pagan Kingdom, and ultimately, the Pyu assumed Burman ethnicity.
The trading nature of the Pyu means that Pyu gold beads have been found as far afield as Thailand and Vietnam.
The beads are in excellent condition and the necklace is extremely wearable. There are traces of red soil, and also a reddish hue which has been developed
by surface erosion from having come into contact with minerals in the soil. Importantly, the applied granulation work appears to be fixed by means of
copper-gold alloy bonding only. There is no evidence of modern flux having been used, or with applied granules being flooded with solder as will be the case
with modern reproduction beads.
Bennett, A., The Ancient History of U Thong: City of Gold, DASTA/BIA, 2017.
Guy, J., Lost Kingdoms: Hindu Buddhist Sculpture of Early Southeast Asia, Metropolitan Museum of Art, 2014.
Richter, A., The Jewelry of Southeast Asia, Thames & Hudson, 2000.
Provenance: UK art market; private collection, London.
Inventory no.: 4498
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