Michael Backman’s Video Reels

Here you will find dozens of short video reels – initially created for our Instagram page. Each is less than 90 seconds long and covers matters of culture, art & travel.ย We hope that you will enjoy them.

Betel sets, silver and gold, Malay world and Thailand. Private collection.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #thaisilver #thaiantiques #melayu #sirih #betel #malaysilverandgold #asianartlondon #londongallery #antiquesilver #tanahmelayu #betelnut
The royal Malay tombs and mosque in Kuala Kangsar, Perak state, peninsular Malaysia. _______________________________________________

๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #kualakangsar #perak #melayu #malayculture #malayhistory #malayroyalty #malaysilvergold #malaytradition #malayarchitecture #colonialarchitecture #mosquearchitecture
Dutch 17th century VOC shipments of ivory at the Shipwreck Museum, Fremantle, Western Australia. 

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #voc #dutcheastindies #batavia #fremantle #ivory #colonialantiques #shipwreck #eastwesttrade #traderoutes #shipwreckmuseum #londonantiques
Malay caping worn by infants as illustrated in the bookโ€™Malay Silver & Gold: Courtly Splendour from Indonesia, Malaysia, Singapore, Brunei and Thailandโ€™. Available from online booksellers and can be ordered from any bookshop worldwide. 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #melayu #malayculture #traditionaljewellery #malaysilverandgold #caping #ethnicjewellery #ethnicjewelry #amulet #riverbooks
Traditional Malay culture and Malay royal bathing ceremonies at Istana Jahar, Kota Bharu, Kelantan, Malaysia.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #melayu #malayculture #kotabharu #istana #kelantan #malaysiaeastcoast #malaysilverandgold
Gilded-silver filigree amulets worn by the children of the Straits Chinese, Peranakan or Baba-Nonya communities of Singapore and Malacca. Private collection.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #straitschinese #babanonya #baba #nonya #peranakan #ethnicjewellery #ethnicjewelry #filigree #filigreejewelry #filigreejewellery #amulet #malacca
Nam pla or fermented fish sauce is a common ingredient in Thai food. Itโ€™s not unique to Thailand though. Even the ancient Romans had their own version. 

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #thaicuisine #thaifood #nampla #fishsauce #thaiculture #thaiantiques
Betel boxes, Malay world and Thailand, 19th century.  Private collection. 

#michaelbackmam #betel #sirih #celapa #malaysilverandgold #malaysilver #indonesianantiques #thaiantiques
Hand-made clay bricks in the town of Ait Ben Haddou, near Marrakesh, Morocco. 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #morocco #moroccanculture #northafrica #northafricanculture #moroccanarchitecture #berber #berberculture #magreb
Chinese Tang architecture and other Tang dynasty influence in Japan.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #tangdynasty #tangjapan #traditionaljapanesearchitecture #japaneseculture #japanesehistory #japanchina #chinajapan #tangarchitecture #tangchina
About Malaysiaโ€™s minority Thai community in Tumpat, on the border of Thailand and Malaysia, in Kelantan state, Malaysia.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #malaysianculture #malaysianhistory #thaiculture #thaihistory #melayu #kelantan #pattani #kelantanhistory #kelantanese #malaysilverandgold #tumpat #tumpatkelantan
Eddie, who works in the Gallery, was given up for adoption to the goddess Guanyin when he was a baby. Hereโ€™s why.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #guanyin #chineseculture #overseaschinese #malaysianchinese #chinesetemple #kuanyin #chinesetradition #chinesereligion
Traditional Malay mosques with tiered roofs are being replaced by non-traditional, Saudi Arabian-style mosques due to Saudi influence and money. Itโ€™s a different version of cultural bleaching.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #malayarchitecture #malayculture #malayhistory #melayu #malayart #malaysia
A brief intro on Japanese script and how it is partly based on Chinese script. In Tokyo.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#kanji #hiragana #katagana #ๅนณไปฎๅ #็‰‡ไปฎๅ #ๆผขๅญ— #modernjapan #japaneseantiques #japaneseculture #japanesehistory #japanesescript #japaneselanguage #japaneseart
Working on our next catalogue already. Our next catalogue will come out in February 2025, but that shouldnโ€™t stop you from browsing on our website at the meantime. Our website is our virtual gallery site that opens 24/7.

#michaelbackman #asianantiquesforsale #indianantiques #asianantiques #asianartlondon #detox #recharge
Early silk production in Dubrovnik, Croatia. The townโ€™s silk worms would be blessed as part of the Feast of the Annunciation, usually in March. 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #Dubrovnik #croatia #ethnictextiles #ottomaninfluence #silkworms
Admiring local architecture in Kuala Kangsar, the royal capital of the Malaysian state of Perak, and the seat of the Sultan of Perak, while undertaking research for the book โ€˜Malay Silver & Gold: Courtly Splendour from Indonesia, Malaysia, Singapore, Brunei and Thailand โ€˜.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#kualakangsar #kualakangsarperak #michaelbackman #malaysilverandgold #melayu #malayculture #malayarchitecture #traditionalhouse #perak
Taking part in the panel of discussion for the book launch of โ€˜Provenance and Possession: Acquisitions from the Portuguese Empire in Renaissance Italyโ€™ written by Professor K. J. P. Lowe, published by Princeton University Press this year.

#booklaunch #newbook #goodread #provenanceandpossession #michaelbackman #asianartlondon
Our last catalogue in 2024 is now available on our website. For all our subscribers, please check your email to view the catalogue. Alternatively, visit our website by clicking the bio link right now.

Good objects wonโ€™t wait unfortunately, in this case.

#asianantiques #asianartlondon #michaelbackmangallery #selectedfinest #finestantiques #islamicart #colonialart #moroccanantiques #moroccanjewelry 

Music: Space - French Fuse
Introducing one of the rarest objects that we have the privilege to handle in our London gallery: a long Berber necklace with large amber beads from Ait Yazza Village, Draa Valley Region, Morocco. In complete and original condition and weighing almost a kilogram!

Available now as part of the 40 objects in our November 2024 catalogue.

#moroccanantiques #moroccanjewellery #wearablejewelry #antiquejewellery #ambernecklace #amberbeads #ethnicjewelry #ethnicadornment

Music: La Yadoum Igtirabi - Fairuz